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The consequences of the affair for Michelle, played by Catherine Keener, are swift and severe. (In California, where the film is set, the age of consent is 18.) In a more contemporary example, Lovely & Amazing also features a subplot about a fling between a 17-year-old boy and a 40-something woman, but writer and director Nicole Holofcener handles that relationship far more appropriately. Viewers don't come away from this movie humming a happy tune.
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Humbert himself is on trial for murdering the playwright Clare Quilty, who unbeknownst to him, also had been Lolita's lover. Lolita, married to someone else at age 18, dies in childbirth - and it's pathetically clear that she thinks of Humbert still as a father figure. They know their affair is wrong, and flee to avoid being discovered. Humbert is portrayed as mentally unbalanced, the survivor of previous breakdowns caused by the death of his childhood love, while Lolita is an orphan desperate for affection. In Lolita, based on the novel by Vladimir Nabokov, the main character, Humbert Humbert, becomes enthralled with the 12-year-old nymphet Lolita, and schemes to become her legal guardian.īut while Lolita is a study of obsession, it is not a celebration of it. Tadpole is not the first movie to focus on sex between adults and minors, and in fact, has been compared to the most famous movie treatment of that taboo. And isn't an identical practice - turning a blind eye to the sexual exploitation of teen-agers - precisely what has gotten the Roman Catholic Church into so much hot water? If we chuckle at the film, how can we condemn the priests? And when Oscar tries to explain how he became entangled with Diane, Eve tells him: "It's none of my business."
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True, Eve backs off - but she cites the risk of such an encounter to her marriage, not her stepson. The movie's climax occurs when Eve and Oscar share a most unplatonic kiss.
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She implies that in her deepest heart, Eve, too, wishes that she had a fresh, idealistic, romantic young lover. (Note, however, that neither she nor the boy's father calls the police.)ĭiane defends herself by claiming that Eve is jealous because she feels a void in her own marriage. She tells Diane that she was "taking advantage" of Oscar. Granted, after the liaison is uncovered during a drunken dinner, Eve gives her longtime best friend a stern talking-to. Diane feels so little guilt about her tryst that she boasts of it to her women friends, and encourages one to give Oscar her phone number. Nor do the characters in the movie confront the statutory rape issue head-on, as the moviemakers claim. It's like putting a bantamweight in the ring with a heavyweight. It's simply not a fair contest the odds (and the power) are too skewed in favor of the older partner. Only, no one in a 15-year-old body has the life experience that real 40-year-olds rely on to navigate sexual skirmishes. It wouldn't come so perilously close to advocating romances between kids and adults.ĭirector Gary Winick and the actors have said in published interviews that they were aware of this pitfall, but surmounted it by making Oscar wiser than his years - "a 40-year-old inside a 15-year-old body" - and by confronting the issue head-on. It still would be a coming-of-age tale, and, yes, the affair between a 17-year-old and a woman more than twice his age still would be sleazy. Making Oscar a mere two years older wouldn't have changed the plot or tone. Part of what is so disturbing about Tadpole is that it seems to be trying to flout the law.